| Issue Date | Title | Author(s) |
| 2024-03-31 | LANGUAGE AND PERCEPTION IN ARRIVAL: A POSTHUMAN INQUIRY | RIYA P |
| 2024-03-31 | UNVEILING DEEP ECOLOGY IN AAVASAVYUHAM | AYSHA FIZA P.C. |
| 2024-03-31 | HUMOUR AND GAZE: A CRITICAL ANALYSIS OF GENDER INEQUALITIES IN OMAR LULU'S MOVIES | ANDRINA LEENUS |
| 2024-03-31 | DREAMING IN CINEMA: ANALYSING THE DREAM SEQUENCE IN LIJO JOSE PELLISSERY’S NANPAKAL NERATHU MAYAKKAM | MEGHA M B |
| 2024-03-31 | THE RETURN OF THE REPRESSED: EXPLORING THE UNCANNY IN VIOLETA | AIMA JUDE |
| 2024-03-30 | RECONSTRUCTING MASCULINITIES: A SELECT STUDY OF CONTEMPORARY MALAYALAM CINEMA | SANA BINOY |
| 2024-03-31 | AGEISM UNVEILED: AN EXPLORATION OF MIDDLE-AGE IN MALAYALAM MOVIES | Navya Prasannakumar |
| 2024-03-31 | BEYOND BORDERS: EXPLORING THE KOREAN TURN IN KOCHI’S YOUTH CULTURE | LAKSHMI V RAJ |
| 2024-03-31 | THE UNIVERSALITY OF HUMAN EXPERIENCE: COMPARATIVE ANALYSIS OF THE FILMS YOUR NAME, WEATHERING WITH YOU AND SUZUME | NOOPA MARY SOLOMAN |
| 2024-03-31 | EMPOWERED OR ENSNARED: AN ANTI-ESSENTIALIST READING OF FEMALE VIOLENCE | SREELAKSHMI MANOJ |
| 2024-03-31 | DANCING WITH DEMONS: EXPLORING TRAUMA IN BLACK SWAN | AGNES THOMAS |
| 2024-03-31 | Onam Sadhya: As an Identity Marker of Kerala’s Rich Culture and Tradition | LIZ ANNS BENNY |
| 2024-03-31 | WOMAN SCORNED: A NEW HISTORICIST EXPLORATION OF THE VIOLENT FEMALE IN LADY MACBETH | RAINA CHESTER |
| 2024-03-31 | NARRATIVES IN STONE: UNRAVELING THE LAYERS OF OUR LADY OF HOPE CHURCH | DELEENA P D |
| 2024-03-31 | BETWEEN SACRED TRANSITIONS : AN EXPLORATION OF LIMINAL LANDSCAPES IN MUṬIYĒTTU | GOWRI MURALI |
| 2024-03-31 | BEYOND THE KIMONO: REPRESENTATION OF GEISHA CULTURE IN MEMOIRS OF A GEISHA | ELENA. V. S |
| 2024-03-31 | UNVEILING THE PANOPTICON OF SOCIAL NORMS: A STUDY OF FLEABAG | NITA TRESA JOE |
| 2024-03-31 | MISREPRESENTATION OF ASEXUALITY: A STUDY OF THE MOVIE SATYAPREM KI KATHA | ISHITHA JOSE |
| 2024-03-31 | FROM SILENCE TO RESISTANCE: A RADICAL FEMINIST READING OF THAPPAD AND DARLINGS | NIHLA NIZAR |
| 2024-03-31 | UNVEILING PERSPECTIVES: POST-COLONIALANALYSIS OF MOVIE KANAA | ANJANA K S |
