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Issue Date	Title	Author(s)
2025-03-31	Representation of Disability: A Critical Analysis of My Lovely Angel and Feeling Through	CATHLENE MENDEZ
2025-03-31	THE PORTRAIT OF AN UNSEEN WORLD : MAPPING THE VERSES OF YEHUDA AMICHAI THROUGH THE LENS OF MICHEL FOUCAULT’S THEORY OF HETEROTOPIA	RISHIKA SRI PARVATHI
2025-03-31	CURSED, CAPTIVE OR CONQUEROR? A CRITICAL STUDY OF BODY POLITICS IN DISNEY MOVIES	NEHA TOGAN
2025-03-31	Intersectionality in Feminism and the Book Memoirs of a Geisha	ALENA SUNNY
2024-03-31	LANGUAGE AND PERCEPTION IN ARRIVAL: A POSTHUMAN INQUIRY	RIYA P
2024-03-31	UNVEILING DEEP ECOLOGY IN AAVASAVYUHAM	AYSHA FIZA P.C.
2024-03-31	HUMOUR AND GAZE: A CRITICAL ANALYSIS OF GENDER INEQUALITIES IN OMAR LULU'S MOVIES	ANDRINA LEENUS
2024-03-31	DREAMING IN CINEMA: ANALYSING THE DREAM SEQUENCE IN LIJO JOSE PELLISSERY’S NANPAKAL NERATHU MAYAKKAM	MEGHA M B
2024-03-31	THE RETURN OF THE REPRESSED: EXPLORING THE UNCANNY IN VIOLETA	AIMA JUDE
2024-03-30	RECONSTRUCTING MASCULINITIES: A SELECT STUDY OF CONTEMPORARY MALAYALAM CINEMA	SANA BINOY
2024-03-31	AGEISM UNVEILED: AN EXPLORATION OF MIDDLE-AGE IN MALAYALAM MOVIES	Navya Prasannakumar
2024-03-31	BEYOND BORDERS: EXPLORING THE KOREAN TURN IN KOCHI’S YOUTH CULTURE	LAKSHMI V RAJ
2024-03-31	THE UNIVERSALITY OF HUMAN EXPERIENCE: COMPARATIVE ANALYSIS OF THE FILMS YOUR NAME, WEATHERING WITH YOU AND SUZUME	NOOPA MARY SOLOMAN
2024-03-31	EMPOWERED OR ENSNARED: AN ANTI-ESSENTIALIST READING OF FEMALE VIOLENCE	SREELAKSHMI MANOJ
2024-03-31	DANCING WITH DEMONS: EXPLORING TRAUMA IN BLACK SWAN	AGNES THOMAS
2024-03-31	Onam Sadhya: As an Identity Marker of Kerala’s Rich Culture and Tradition	LIZ ANNS BENNY
2024-03-31	WOMAN SCORNED: A NEW HISTORICIST EXPLORATION OF THE VIOLENT FEMALE IN LADY MACBETH	RAINA CHESTER
2024-03-31	NARRATIVES IN STONE: UNRAVELING THE LAYERS OF OUR LADY OF HOPE CHURCH	DELEENA P D
2024-03-31	BETWEEN SACRED TRANSITIONS : AN EXPLORATION OF LIMINAL LANDSCAPES IN MUṬIYĒTTU	GOWRI MURALI
2024-03-31	BEYOND THE KIMONO: REPRESENTATION OF GEISHA CULTURE IN MEMOIRS OF A GEISHA	ELENA. V. S